The story follows a young lady named Suzu Urano, who in 1944 moves to the small town of Kure in Hiroshima to live with her husband's family. Suzu's life is thrown into chaos when her town is bombed during World War II. Her perseverance and courage underpin this heart-warming and inspirational tale of the everyday challenges faced by the Japanese in the midst of a violent, war-torn country. This beautiful yet poignant tale shows that even in the face of adversity and loss, people can come together and rebuild their lives.
(Source: Shout! Factory)
As the director puts it, the film is a time capsule that portrays its setting in obsessive detail.
I would write something about its vivid portrayal of life in the early Shōwa era, obsessed with immersive, animated detail and focused on the mundane, but director Sunao Katabuchi has made his apparent approach explicit in an interview:
_”[Manga artist] Ms. Kouno researched everything about that e…
TruThis is a very well done film with a distinct art-style (it is realistic but it's a reality)
A "Slice of Life" in Kure and Hiroshima in 1940s, Involving Love, Laughter, Fantasy, Hope, and Death.
The protagonist is a nonchalant (at least on the surface) and a bit dreamy ordinary girl who loves to draw and paint. She is raised in Hiroshima and marries into a family of a young man employed in…
It is one of the rare products that is made in the Gekigai style.
A review for the anime film "In This Corner of the World" (Kono Sekai no Katasumi ni) contains spoilers
"In This Corner of the World" is a very valuable anime film in style and content, directed by Sunao Katabuchi, which was released in 2016. This film tells the story of the daily life of Suzu Uran…
Mistakes I can only assume must be made due to trying to squeeze a multi volume manga into a 2 hour story
The first half of this movie is paced like absolute *****, simultaneously rushed and drawn out to make for a confusingly boring spectacle. In a movie with limited time, every minute is important. But here, things just happen and they feel pointless because we can be in, like, May 1944 and thirty sec…